Showing posts with label fantasy art templates. Show all posts
Showing posts with label fantasy art templates. Show all posts

11 March 2010

Thursday Thirteen: Thirteen Great Fantasy Creatures

The great thing about writing Fantasy Art Templates, my new book from Barron’s Educational Series, is that it turned out to be more than just another how-to art book. By the time artist Rafi Adrian Zulkarnain and I were done, it had become a 21st century bestiary, a resource for writers and gamers and people who write for games, and (for me, at least) a research project to love.
So in honor of both the release and Thursday, here are thirteen of my new favorite creatures and a few samples of the book’s luscious artwork—not to mention the house I want to live in when I grow up.

Kelpie—Traveling along the rivers and lakes of Scotland, should you ever meet a handsome, tame, but unbridled black horse with water dripping from its mane, do not touch it! Chances are that it is a Kelpie, a carnivorous water horse with an adhesive hide. If you pet the Kelpie or, worse yet, try to ride it, you will be unable to tear yourself free when it plunges into the depths of its watery home.

Strigoi—Strigoi are shapeshifting revenants who rise from the dead to plague their former relatives, and commit mischief in the form of cats, bats, owls and other nocturnal animals. (The neat fact we had to cut for length: if a Strigoi manages to evade detection and destruction for seven years he or she can regain their humanity and have children, though they'll all become Strigoi when they die.)

Empusa—The daughter of Hecate, the goddess of sorcery, Empusa is by turns a vampiric seductress, a guardian of crossroads, and the devourer of travelers on the road after dark.

Gyges—Despite his fearsome appearance and fire-spewing belt, Gyges and his fellow Hecatonchires (“hundred-handed ones” in ancient Greek) helped humankind’s protector Zeus in his battle against the Titans.

Throne—Wheels within wheels ringed with eyes all around, the angels who supported the chariot in the prophet Ezekiel’s visions were Thrones, the engines of divine justice, which grinds slow but fine.

Kanya—A guardian of wells and streams, this princess of the Naga snake kingdom bestows material and spiritual wealth on those she favors.

Takshaka—Takshaka, the most feared of the three Naga snake kings, embodies all that is dangerous about snakes. He is the sworn enemy of Garuda, the mighty mythical bird upon who the Hindu god Vishnu rides.

Garuda—part man, part eagle, Garuda serves as the Hindu god Vishnu’s mount. This symbol of irresistible force is so large that a grown man could hide between its feathers.

Fenghuang—The Fenghuang was to the empress of China what the dragon was to the emperor –a symbol of strength, virtue and prosperity. Although called the Chinese phoenix, it had nothing to do with fire. Instead, its shape and plumage reflected the most beautiful characteristics of golden pheasants, mandarin ducks, cranes, parrots and peacocks. Ironically, most of these attributes belong to the male of the species, while the Fenghuang is usually considered female.

Leyak—In the folklore of Bali, Leyak is a midwife by day, but after darkness falls, she detaches her head and internal organs from her body to prey on new mothers and infants.

Yuki Onna—The pale, inhumanly beautiful Yuki Onna most often appears in snowstorms. She kills with her freezing breath and floats away without a trace, leaving not even a footprint in the snow.

Kitsune—Kitsune are magical foxes that enjoy human company and often assume our shape—like the Native American shapeshifting shaman Coyote. However, they don’t always remember to hide their bushy tails. In fox form, the relative strength of their elemental power is shown by the number of their tails, with nine tails signifying almost godlike power for good or ill.

Rokurokubi— At night, the seemingly human Rokurokubi gain the ability to stretch their necks and alter their faces. They use these tricks to frighten sleepers, drunks and other “unreliable” witnesses.

Jean Marie Ward

Images (c)Barron's Educational Series, 2010, reproduced with permission.

09 July 2009

Art Story

Mr. DeMille, I’m ready to get my brain back…

Seriously, I just finished the technique section of Fantasy Art Templates (Barron’s, January 2010), my next nonfiction project, and it’s like the first day well after a long illness. The house is a wreck. The living room is stacked with boxes from the 78s the spouse person ordered while I was “in the zone”. The path from the so-called writing desk to the sofa where I actually do most of my writing is strewn with papers and reference materials. Hastily kicked-off shoes carpet the kitchen. And I. Am. Not. Cooking. Not now. Maybe not ever.

Until I started the tech section (the portion of the book where readers learn how to emulate the art contained in the main portion of the book) writing was a breeze. The editor shipped me a batch of illustrations, and I wrote captions, usually on the sofa watching TV.

But the artist was ill earlier this year and still playing catch-up. So our editor suggested I get to work on the “Backgrounds and Technique” chapter. I stared her email in horror. The way I understood it, the final chapter wasn’t my problem. The artist would provide ten landscapes to be used with the figures depicted elsewhere in the book. The rest of the chapter would consist of standard instruction pages drawn from other books in the publisher’s series.

There was just one problem. Our book wasn’t like any other book in the series. Remember that “templates” part of the title? The figures in the main section of the book--wizards, warrior women, dragons, unicorns, elves--were designed for copying in traditional media or digitally, or redrawn and adapted as needed. There wasn’t anything quite like it in the catalogue.

Which meant not all the standard instruction pages worked.

Which meant I had to write pages that would.

Gulp.

I’m the classic case of those who can’t teach critique. I studied art until I realized my talent for drawing lay somewhere on the poor side if mediocre. In college, I switched to writing, politics and art history, and never looked back. To presume to instruct other people in skills I hadn’t used since high school… I repeat, gulp.

So I fell back on the other skills that never let me down: reporting and fiction. The reporting part was fairly straightforward. I wrote the artist and asked a few questions. That told me his process, which I knew would interest the reader, but I couldn't exactly drill him on the basics. That would be like asking another writer where they get their ideas. Seriously. This is where my inner fiction writer took over.

Instead of telling people how to create art, I focused on the stories the art could tell. Fantasy paintings, I wrote, have characters and settings like books and movies, but instead of words, the artist uses scale, perspective, lighting and color to get his or her point across. I organized my instruction pages around that theme, but it wasn’t easy. It required as much time and focus as writing fiction. But it worked.

Er, I think it worked. I won’t know until my editor gets back to me.

It's like that in fiction too.

Speaking of which, if you’re going to be in the Washington DC area for the Romance Writers of America National Conference, feel free to give me a shout-out. I plan to drop in for the Samhain party and a few of the other non-RWA events, and I’d love to say hi.

Cheers!