Showing posts with label m/m. Show all posts
Showing posts with label m/m. Show all posts

28 June 2013

Once More, with Feeling

For me, love scenes are tough to write (gasp!) and sometimes tough to read. It seems there is, in some quarters, the feeling that erotic romance is basically stringing a succession of sex-scenes together. Yet it is, like any other genre, subject to rules. Yes, there is a heightened sexuality and frank language, but just as in any other kind of book there has to be a cohesive plot. Without one, you might as well be reading a bunch of those “true confession” letters in a men’s magazine.

And also each scene must serve a purpose—including the sex/love scenes. For me, when the love scenes are really hot you can almost bet your sweet bippy there is a new and thrilling shift in the relationship going along with it. Yes, the characters are having sex, slots and tabs as per usual, acrobatics, dominance etc. not essential (although sometimes welcome and even necessary, depending on the characters), but they’re also discovering something about themselves or their partner at the same time. While they’re doing that, the reader is learning about them too, and the heat is ramped up.

For me there has to be emotion, whether acknowledged or fought against, and relevance, or it’s just sex.
It could be the thrill of finally realizing the dream of having an encounter with the man the heroine’s been lusting after forever. Or perhaps the moment when a man looks at the person he’s having sex with and thinks, ‘Mine.’ Even the second when, scared spitless, one of the characters recognizes the very thing they didn’t want—love—has entered the equation. There are a bunch of different scenarios, instant attraction, resurgence of floundering love, angry sex, make-up sex, etc. that we use as plot devices, but the bottom line is if you don’t have emotion behind it and a reason for the sex, it just isn’t hot to me.

And let’s not forget there are scenes in books where the characters never even get undressed, much less get to actual sex, that can be hotter than the desert on a mid-summer day! The slow seduction scene that gets interrupted or is curtailed because one character knows the other isn’t ready is an example that comes to mind. Again I bet it's the heap of emotion behind it that makes the temperature rise.

So up the stakes, up the feelings behind the action, up the revelations and discoveries through the lovemaking and, in my estimation, the heat quotient rises too!

Anya
Journeys Through Seduction


Anya Richards/Anya Delvay books available from Samhain Publishing, Ellora's Cave, Amazon, Barnes and Noble, and Chapters Indigo.

29 June 2012

Balancing Act


While I was sitting on my couch, trying to think up a post for today, I found myself literally laughing out loud along with one of my favorite TV decorators, Nate Berkus. I (and probably the majority of women who watch his show) absolutely adore Nate. He’s handsome (albeit a little short, but hey, so am I!), charming, sweet, knows his decorating and is absolutely hilarious. What’s not to love?

It’s incidental to me that Nate is gay. He’s not flamboyant a la RuPaul, but he’s certainly not in the closet. What made me LOL today was some banter between him and a guest chef on his show. When Nate asked the chef why the little cakes were called ladyfingers, he was told it was because they were delicate and feminine. Nate retorted they looked more like his own fingers, and roared with laughter when the chef said, “I rest my case.”

I’m in the process of writing my first M/M romance, and while Nate isn’t the inspiration for either of the characters, I’m trying to capture the same sense of insouciance he projects about his sexuality and display it in both my heroes. They don’t live in our world, so I didn’t have to deal with real life issues such as coming out and the stigma that can still be attached to being gay. One hero is bi, the other has always been gay. Yet, even without the restrictions of potential social stigma this book is possibly the most difficult I’ve ever written.

That’s my own fault. I have a vision of these two men—both strong, both determined—and want to keep them that way while still showing their vulnerabilities. Neither of them is suited to be what I sometimes think of as the “softer” partner I often read in M/M books. Yet I find it helpful to remember how I handled a similar situation when writing What the Mistress Did, which started out as a prospective ménage with a bit of revenge thrown in and turned into a love story between the two women. Neither of them was weak, although the balance of power seemed to favor one over the other at the beginning. It was a matter of discerning where they were strong and where they were weak, and allowing them to act according to those parameters in each situation that arose.

That’s what I’m trying to do with my two guys too, and only my editor will be able to tell me whether I’ve gotten it right or not. Keep your fingers crossed for me. I’ve grown to love them dearly and I hope others get a chance to meet and love them too!

10 March 2009

Poison in print

This month I have a new print release, Poison. It will be released at the end of the month at Amazon and other places, but it's already available at Barnes and Noble, Books-a-million and Powells, which is very cool.

Anne Cain did this absolutely lovely cover, and I adore it. Here's the blurb:

In this world, trust is hard to find…and the one thing they need to survive.

Tobias Smator lives down his late father’s execution by avoiding the spotlight—and responsibility. He doesn’t mind what people think of him as long as they leave him alone. Still, in this unremarkable half-life he’s fashioned for himself on deceptively low-tech Rimania, he’s not safe from political intrigue. Someone wants him dead.

Alliance operative Geln Marac’s orders for his first assignment were simple: Stay uninvolved. Those orders go out the window, however, when he delivers an antidote to save Tobias from death by poisoning. His reward? Possible betrayal that lands him in the hands of police interrogators. To protect the Alliance, Geln resorts to a temporary mindwipe.

Tobias is fascinated by the amnesiac man who saved his life. But Geln has attracted the attention of the high-powered Lord Eberly, who would use him as a pawn. Rather than sacrifice Geln to the political wolves, Tobias chooses to embrace his heritage.

Geln’s memory reawakens to a precarious situation with no source of protection—except Tobias. There’s only one way forward for both of them.

Trust—or die.

You can read an excerpt here.